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  zabel(2003-01-06 00:57:02, Hit : 1164, Vote : 316
 http://gelatinemotel.byus.net
 Masao Yamamoto »çÁø











Small prints with indistinct borders that are sometimes worn away, like old photos aged by time, but which form a net contrast with their refined, sharp content. Viewers come closer to discover the subject of these photographic miniatures and remain amazed by the print's clarity.
Masao Yamamoto's photos have always been quite small, but his recent works are even more so. Whether displayed in a gallery or printed on the glossy pages of a book, the format is always the same. This compels us to view them in a very special way because we are virtually forced to stop and observe in order to see them. This heightens the natural approach to a visual image which is deliberate and attentive, an approach we often do not make use of because of other factors such as the strong emotional impact of the image that captures us, that grabs our attention. In this latter situation, we are passive at the beginning. In the former, we are the ones who have to decide to activate our visual and interpretive faculties.
However, this is not an intellectual or elite activity. In some exhibits, Yamamoto has not only hung his photos on the walls of the gallery, but also provided for some to be contained in an old wooden box visitors can rummage through, picking up the prints that interest them. Other times he has placed his prints in accordion-fold books.
Those who concede themselves the time to carefully observe Masao Yamamoto's photographs will find themselves faced by marvelous prints the work of a great photographer. Using his skill he creates still-lifes and sophisticated nature images that have the same basic intensity. The small format, irregular edges, quality of the texture of the print surface, the use of paint on the photo--all these elements make each print a small gem, a one-of-a-kind object.
In this study, Box of Ku, which he began in the Eighties, Yamamoto has added new, small images to give us back the time (not all of it lost) to stop and observe how many beautiful things--secretly--surround us.
by Rosanna Checchi
Masao Yamamoto is represented by Yancey Richardson Gallery, New York. www.yanceyrichardson.com







536   Mario Beltrambini »çÁø   2006/10/27 1436 210
535   Mario Giacomelli [1]   2006/02/08 1028 224
534   Mark Rothko [1]  zabel 2005/08/18 766 163
533   Martin Parr - epsom  zabel 2005/05/08 968 180
532   Martin Roemers  zabel 2005/06/19 1320 172
531   Martine Franck »çÁø  zabel 2005/03/21 871 199
530   MARY ELLEN MARK .  zabel 2005/03/03 843 144
  Masao Yamamoto »çÁø  zabel 2003/01/06 1164 316
528   masturbation [1]  song 2003/04/08 890 172
527   Maurizio Cattelan   2006/01/23 1071 270
526   Michael Ackerman  zabel 2005/05/27 783 161
525   Michael Kenna »çÁø [2]  zabel 2003/07/29 924 321
524   Michico Kon   2006/07/06 1349 242
523   mika _ pink rose suite   2006/01/10 907 208
522   mike & doug starn   2006/04/15 1202 320
521   minimini  zabel 2004/03/22 1294 552
520   Mitch Epstein  zabel 2005/10/20 927 201

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