°¡ÀÔÀ» ¿øÇϽô ºÐÀº ¸ÞÀÏÀ» Áֽñ⠹ٶø´Ï´Ù. zabellocq@empal.com
     ÀÚ¹°¼è
     nZ
     eZ


  zabel(2003-01-06 00:57:02, Hit : 1296, Vote : 371
 http://gelatinemotel.byus.net
 Masao Yamamoto »çÁø











Small prints with indistinct borders that are sometimes worn away, like old photos aged by time, but which form a net contrast with their refined, sharp content. Viewers come closer to discover the subject of these photographic miniatures and remain amazed by the print's clarity.
Masao Yamamoto's photos have always been quite small, but his recent works are even more so. Whether displayed in a gallery or printed on the glossy pages of a book, the format is always the same. This compels us to view them in a very special way because we are virtually forced to stop and observe in order to see them. This heightens the natural approach to a visual image which is deliberate and attentive, an approach we often do not make use of because of other factors such as the strong emotional impact of the image that captures us, that grabs our attention. In this latter situation, we are passive at the beginning. In the former, we are the ones who have to decide to activate our visual and interpretive faculties.
However, this is not an intellectual or elite activity. In some exhibits, Yamamoto has not only hung his photos on the walls of the gallery, but also provided for some to be contained in an old wooden box visitors can rummage through, picking up the prints that interest them. Other times he has placed his prints in accordion-fold books.
Those who concede themselves the time to carefully observe Masao Yamamoto's photographs will find themselves faced by marvelous prints the work of a great photographer. Using his skill he creates still-lifes and sophisticated nature images that have the same basic intensity. The small format, irregular edges, quality of the texture of the print surface, the use of paint on the photo--all these elements make each print a small gem, a one-of-a-kind object.
In this study, Box of Ku, which he began in the Eighties, Yamamoto has added new, small images to give us back the time (not all of it lost) to stop and observe how many beautiful things--secretly--surround us.
by Rosanna Checchi
Masao Yamamoto is represented by Yancey Richardson Gallery, New York. www.yanceyrichardson.com







  Masao Yamamoto »çÁø  zabel 2003/01/06 1296 371
42   William Klein  zabel 2002/12/28 1111 370
41   Å©¸®½º ¸¶Äɸ£  zabel 2002/12/22 1481 458
40   ÀÌÁÖÇü - ±â¾ïÀÇ Ç³°æ  zabel 2002/12/17 1642 560
39   ³ª´Ù¸£  zabel 2002/12/03 1319 344
38   Portrait of Time 1998 ±¸º»Ã¢  zabel 2004/11/14 943 191
37   Á¤¿µÇõ »çÁø  zabel 2002/10/22 1619 393
36   masturbation [1]  song 2003/04/08 999 209
35   war [1]  song 2003/03/23 822 172
34   ´Þ¸íÈÆ [3]  song 2003/06/02 971 261
33   [essay] Praise of Distance [4]  psyvenus 2005/11/04 976 221
32   [Leaving] New York [2]  psyvenus 2005/10/23 1001 276
31     [re] [3]  psyvenus 2005/11/14 995 258
30   ÀÚ [6]  psyvenus 2005/09/28 1059 221
29   »çÆ÷ [8]  psyvenus 2005/09/14 1111 263
28   ´Ù¸®¹Ì [3]  psyvenus 2005/09/03 1064 190
27   µê [3]  psyvenus 2005/08/02 913 257

[ÀÌÀü 10°³] [1]..[31][32][33][34][35][36][37] 38 [39][40]
 

Copyright 1999-2026 Zeroboard / skin by zero
home>