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  (2007-02-23 15:54:30, Hit : 7123, Vote : 314
 http://gelatinemotel.byus.net/main
 Francis Bacon

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Three Studies for the Portrait of Henrietta Moraes 1963
Oil on canvas three panels Each panel 14 1_8 x 12 1_8
 
 
 
written by Milan Kundera
 

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Head VI 1949 Oil on canvas, 93.2 x 76.5 cm (36 5/8 x 30 1/8 in)
 
 



Man with Dog 1953 Oil on canvas, 152.1 x 116.8 cm (59 7/8 x 46 in)
 
 
 



Painting 1946 Oil on canvas, 198.1 x 132.1 cm (78 x 52 in)
 
 



Self-Portrait 1971 Oil on canvas, 35.5 x 30.5 cm (14 x 12 in)
 
 



Study for Crouching Nude 1952 Oil and sand on canvas, 198.1 x 137.2 cm (78 x 54 in)
 
 



Three Studies for a Crucifixion - 1
 
 



Three Studies for a Crucifixion - 2
 
 



Three Studies for a Crucifixion - 3
 
 
 
 
 

 
 
 
 
MVC-001m.JPG (140041 bytes)
MVC-004F.JPG (189020 bytes)
MVC-004n.JPG (135825 bytes)
Onto Drool (2000)
Onto Ooze (2001)
Onto Drool (2001)
"Very few people find their real instincts. Every now and then there's an artist who does and who makes something new and actually thickens the texture of life. But it's very rare you have to be able to be really free to find yourself in that way, without any moral or religious constraints. After all, life is nothing but a series of sensations, so one may as well try and make oneself extraordinary, extraordinary and brilliant, even if it means becoming brilliant fool like me and having the kind of disastrous life that i have had. That is it."    
 
                       Francis Bacon, Francis Bacon: Anatomy Of An Enigma, Michael Peppiatt.
 
 
 
MVC-015F.JPG (128661 bytes)
MVC-011Ff.JPG (71180 bytes)
MVC-011F.JPG (141608 bytes)
Sliced Self Portrait (2001)
Shape Shifting Self (2001)
Slither Self (2001)
"I don't know if critics of literature are the idiots that critics of painting are in this country, because they're the biggest idiots that exist. They know absolutely fuck all about it to begin with. They've got no instinct about it, they've just got theories." 
Francis Bacon talking to Burroughs, Arena, BBC 1986.
wpe17.jpg (59725 bytes)
Nov5-9.JPG (64517 bytes)
Reclining Alien Self Portrait (2000)
 
Auto Alien Self Portrait (2000)
"There is a kind of sensational image within the very, you could say,  structure of   your being, which is not to do with a mental image - when that image, through accident, begins to form..."    
 
                                           Francis Bacon, Interviews with Francis Bacon,  David Sylvester.
                                     
Nov5-7.JPG (63547 bytes)
Nov5-6.JPG (55192 bytes)
Nov5-5.JPG (64753 bytes)
Soggy  Slime Self Portrait (2000)
 Soaked Self Portrait (2000)
Severed Self Portrait (2000)
"Painting is the pattern of one's nervous system being projected on the canvas"    Francis Bacon
 
Nov5-10.JPG (60248 bytes)
Nov5-3.JPG (52659 bytes)
Nov5-8.JPG (49714 bytes)
Reptile Ruin Self Portrait (2000)
Reptile Ruin Self Portrait (2000)
Coming Apart Self Portrait (2000)
          "But often the things that seem the most exaggerated can be the most true."    Marilyn  Manson   
 
 
 
Alex10.JPG (37331 bytes)
AAE19_2.JPG (144365 bytes)
ABH31.JPG (85148 bytes)
Ontological Drool Self-Portrait (1981)
Shape-Shifting Reptilian  (1981)
Ontic-Slime Self-Portrait (1981)
   "Thinking in primitive conditions (pre-organic) is the crystallization of forms, as in the case of crystal. In our thought, the essential feature is fitting new material into old schemes, making equal what is new."    Friedrich Nietzsche, The Will to Power.
ACB01.JPG (299272 bytes)
Alex9.JPG (28746 bytes)
Alex1n.JPG (29570 bytes)
Ontologically Transparent 1 Self-Portrait (1981)
Headless Female Form (1980)
Ontologically Transparent 2 Self-Portrait (1981)
"A fact, a work is eloquent in a new way for every age and every new type of man. History always enunciates new truths."     Friedrich Nietzsche, The Will to Power.
Alex7.JPG (18478 bytes)
ADA04.JPG (138319 bytes)
Alex8.JPG (21865 bytes)
Alien-Being-towards-death (1979)
Shape-Shifting-Alien Self-Portrait (1981)
The Goat -Woman (1979)
"Man is beast and superbeast; the higher man is inhuman and superhuman: these belong together. Terribleness and greatness belong together: let us not deceive ourselves."     
 
                                                                                    Friedrich Nietzsche, The Will to Power.
Alex4.JPG (17791 bytes)
Alex2.JPG (16268 bytes)
Alex3.JPG (20541 bytes)
Triptych 1 (1981)
Triptych  2 (1981)
Triptych 3 (1981)
Allen Ginsberg on Francis Bacon's painting method: "He said he did it with a chance brushstroke that looked in the magic - a  fortuitous thing that he couldn't predict or orchestrate".
"I don't know if critics of literature are the idiots that critics of painting are in this country, because they're the biggest idiots that exist. They know absolutely fuck all about it to begin with. They've got no instinct about it, they've just got theories." 
 Bacon in conversation with Burroughs, Arena, BBC 1986.
Alex45.JPG (16746 bytes)
Alex46.JPG (15268 bytes)
Alex43.JPG (20251 bytes)
Punk (1981)
Punk (1981)
Punk (1981)
 "Very few people find their real instincts. Every now and then there's an artist who does and who makes something new and actually thickens the texture of life. But it's very rare you have to be able to be really free to find yourself in that way, without any moral or religious constraints. After all, life is nothing but a series of sensations, so one may as well try and make oneself extraordinary, extraordinary and brilliant, even if it means becoming brilliant fool like me and having the kind of disastrous life that i have had. That is it."  
 
                       Francis Bacon, Francis Bacon: Anatomy Of An Enigma, Michael Peppiatt, 1996.
 
 
Alex31.JPG (129125 bytes)
Alex32.JPG (75618 bytes)
Alex23.JPG (34349 bytes)
 Wired-Self -Portrait(1981)
Snide-Self-Portrait (1981)
Sick-Self-Portrait (1981)
"Perhaps, at its deepest level, realism is always a subjective thing. When I see grass, I sometimes want to pull up a clump and simply paint it on the canvas. But of course that would not work, and we need to invent the techniques by which reality can be conveyed to our nervous system without losing the objectivity of the thing portrayed."  
 
                                                                             Letter to Michel Leiris from Francis Bacon.
AG017.JPG (157959 bytes)
AG016.JPG (139836 bytes)
AG018.JPG (174831 bytes)
Self-Torso (2000)
Self-Torso (2000)
Self-Torso (2000)
 
" My paintings are, if you like, a record of this distortion...Abstract art is free fancy about nothing. nothing comes from nothing. One needs the specific images to unlock the deeper sensations, and the mystery of accident and intuition  to create the particular. Now I want to do portraits more than anything else, because they can be done in a way outside illustration. It is a gamble composed of luck, intuition and order. Real art is always ordered no matter how much has been given by chance."  
 
 Francis Bacon  in conversation with  Michael Peppiatt, 1963.
 
AG014.JPG (148017 bytes)
AG028.JPG (117314 bytes)
AG019.JPG (193525 bytes)
Self-Alien-Portrait (2000)
Non-Self-Portrait (2000)
Ontic-Slime Self-Portrait (2000)
"It's like looking into a mirror only it's not... When this is over I want you to take this face and burn it...You want to take his face off. Eyes, Nose, Mouth off."
From the Gage/Travolta film  Face-Off.
AG020.JPG (139292 bytes)
ag024.jpg (57453 bytes)
AG021.JPG (98895 bytes)
Fractured Face Self-Portrait (2000)
Half-Man-Half-Alien (2000)
Face-Off Self-Portrait (2000)
"Half monster, half human, Bacon's creatures are frozen not in a pose or image, but in time itself. - time as a continuous phenomenon, a dimension that is a more essential part of reality than mere appearance. The challenge for the artist, therefore, is not to make visible a detached moment of general time, a story, anecdote or piece of narrative, but to demonstrate time itself as a continuum." 
 Christophe Domino, Francis Bacon: Taking Reality by Surprise, 1997.
Alex42.JPG (15199 bytes)
AG012.JPG (116278 bytes)
AG011.JPG (140090 bytes)
Self -Portrait (1980)
      Slither-Self-Portrait  (2000) 
Slither-Self-Portrait (2000)
 
"The existential-ontological constitution of Dasein's totality is grounded in temporality. Hence the ecstatical projection of Being must be made possible by some primordial way in which ecstatical temporality temporalizes. How is this mode of the temporalizing of temporality to be Interpreted? Is there a way which leads from primordial time to the meaning of Being? Does time itself manifest itself as the horizon of Being?"
 
  Martin Heidegger, Being and Time, 1927.
 
AG025.JPG (153186 bytes)
AG015.JPG (141480 bytes)
Alex53a.jpg (89209 bytes)
Slime-Self-Portrait (1999)
Becoming Alien Self-Portrait (1999)
Alien-Self-Portrait (2000)
 
 
"Falling Being-in-the-world is not only tempting and tranquilizing; it is at the same time alienating. Yet this alienation cannot mean that Dasein gets factically torn away from itself. On the contrary, this alienation drives it into a kind of Being which borders on the most exaggerated 'self-dissection', tempting itself with all possiblities of explanation, so that the very 'characterologies' and 'typologies' which it has brought about are themselves already becoming something that cannot be surveyed at a glance."
Martin Heidegger, Being and Time, 1927.
Alex21.JPG (30449 bytes)
AG034.JPG (158397 bytes)
AG016.JPG (139836 bytes)
Self-Body-Portrait (1981)
Alien-Self-Body-Portrait (2000)
Self-Torso-Portrait (1999)
"I myself think you have to break technique, break tradition, to do something really new. You always go back into tradition, but you have to break it and reinvent it first.."
 
  Francis Bacon,  Francis Bacon: Anatomy Of An Enigma, Michael Peppiatt, 1996.
Alex11.JPG (22091 bytes)
AG036.JPG (202690 bytes)
Alex17.JPG (22054 bytes)
Soiled-Self-Portrait (1980)
Alien-Self-Portrait (2000)
Liquid-Self-Portrait (1980)
"The whole thing has become so boring and bourgeois. Art is just a way now of making money."   
Bacon interview with Peppiatt, Art International, Autumn 1989, Paris.
Alex54.jpg (107064 bytes)
Alex55.JPG (61328 bytes)
Alex52b.jpg (96535 bytes)
Self-Torso-Portrait with Liquid Leaking Head (20000
Reptile Slit-Head self-portrait (2000)
Razor-Reptile Self-Portrait (2000)
"I do, of course, work very more by chance now than I did when I was young. For instance, I throw an awful lot of paint onto things, and I don't know what's going to happen... I throw it with my hands. I just squeeze it into my hand and throw it on". 
        Francis Bacon, Francis Bacon: Taking Reality by Surprise, C Domino, 1997.
Alex51c.jpg (96983 bytes)
AG028.JPG (117314 bytes)
20.JPG (24983 bytes)
Being-There Self-Portrait (1999)
Fused-Self-Portrait (1999)
Early Self-Portrait (1979)
"Great art has always returned people to life more violently. And they appreciate life in a more intense way - abstract art is a form of pattern making...For me abstract art can be nothing but decoration because there is nothing to anchor it except its artistic allure".  
 
Francis Bacon, The Gilded Gutter Life of Francis Bacon, Daniel Farson.
AG025.JPG (153186 bytes)
AG019.JPG (193525 bytes)
AG021.JPG (98895 bytes)
Being Nearly Reptile Self-Portrait (1999)
Shape-Shifting-Alien-Self-Portrait (2000)
Rembrandt-Reptile Self-Portrait (1999)
"All I  want to do is distort reality of the human figure into reality...You know, the trouble with Lucian's work is that it's realistic without being real." 
 
Francis Bacon talking to Daniel Farson about Lucian Freud.
ag024.jpg (57453 bytes)
AG010.JPG (172840 bytes)
AG023.JPG (105419 bytes)
Only-Half-Human Self-Portrait (1999)
Auto-Alien Self-Portrait (2000)
Face-Off 2 Self portrait (1999)
"Instinct arises out of that whole unconscious sea inside us...I just work as closely to my nerves as I can, and as I'm bound up closely in my world today, perhaps it does reflect savage tensions and vacuous spaces...Nietzsche forecast our future for us...he told us it's all so meaningless we might as well by extraordinary." 
 
Francis Bacon, The Gilded Gutter Life of Francis Bacon, Daniel Farson.
AG026.JPG (154311 bytes)
Alex52a.jpg (97866 bytes)
AG027.JPG (111762 bytes)
Face-Off 1 (1999)
Alien-Self-Portrait (2000)
Face-Off 2 (1999)
"It's only due to your own nervous system that you can paint at all...so the thing is, how can I draw one more veil away from life and present what is called the living sensation more nearly on the nervous system and more violently?"  
Francis Bacon, The Gilded Gutter Life of Francis Bacon, Daniel Farson.
 
AAE17.JPG (230512 bytes)
acd10.jpg (51425 bytes)
ABG25_2.JPG (190467 bytes)
Shape-Shifting Reptilian Self-Portrait (1981)
Alien-Self-Portrait
Hybrid (1980)
Alien-Self-Portrait Hybrid (1980)
 





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632   Edward Hopper   2007/03/16 1009 226
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627   ¿À¼®±Ù »çÁø   2007/02/26 1094 222
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