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  zabel(2003-01-06 00:57:02, Hit : 1678, Vote : 400
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 Masao Yamamoto »çÁø











Small prints with indistinct borders that are sometimes worn away, like old photos aged by time, but which form a net contrast with their refined, sharp content. Viewers come closer to discover the subject of these photographic miniatures and remain amazed by the print's clarity.
Masao Yamamoto's photos have always been quite small, but his recent works are even more so. Whether displayed in a gallery or printed on the glossy pages of a book, the format is always the same. This compels us to view them in a very special way because we are virtually forced to stop and observe in order to see them. This heightens the natural approach to a visual image which is deliberate and attentive, an approach we often do not make use of because of other factors such as the strong emotional impact of the image that captures us, that grabs our attention. In this latter situation, we are passive at the beginning. In the former, we are the ones who have to decide to activate our visual and interpretive faculties.
However, this is not an intellectual or elite activity. In some exhibits, Yamamoto has not only hung his photos on the walls of the gallery, but also provided for some to be contained in an old wooden box visitors can rummage through, picking up the prints that interest them. Other times he has placed his prints in accordion-fold books.
Those who concede themselves the time to carefully observe Masao Yamamoto's photographs will find themselves faced by marvelous prints the work of a great photographer. Using his skill he creates still-lifes and sophisticated nature images that have the same basic intensity. The small format, irregular edges, quality of the texture of the print surface, the use of paint on the photo--all these elements make each print a small gem, a one-of-a-kind object.
In this study, Box of Ku, which he began in the Eighties, Yamamoto has added new, small images to give us back the time (not all of it lost) to stop and observe how many beautiful things--secretly--surround us.
by Rosanna Checchi
Masao Yamamoto is represented by Yancey Richardson Gallery, New York. www.yanceyrichardson.com







502   [Æß] ±¤°í¿¹Á¦   2006/08/09 1653 410
501   Àü½Ã 4.21  zabel 2005/04/21 1181 410
500   ÀÌÀ±Áø »çÁø [6]  zabel 2005/11/17 1562 409
499   [Æß] Á¤¸» »ðÁú   2006/08/07 1496 408
498   Claudio Moser   2005/12/31 1515 408
497   Íº¹ÚÀÌ¼Ò Àå·Ê½Ä _³¯Â¥Áö³µÀ½  zabel 2004/06/09 1633 407
496   [±â»ç] ÇÏÀ̺긮µå  zabel 2004/02/25 1600 407
495   [text] ÇÔÁø ½ÅÀÛ   2006/08/24 1420 406
494   Erwin Olaf (1959) [2]   2006/06/23 1588 406
493   [»çÁø]¸Þ¸±·»µå Âî¶ó½Ã ȤÀº ÇÇ ¸ÔÀº ¹®¼­  zabel 2004/02/28 1130 405
492   È«¼º¹Î Àü½ÃÆò  zabel 2004/09/23 1148 404
491   [Æò]°­È«±¸ÀÇ Ã¢¹®   2006/03/13 1290 400
490   [Æß]¹Ì¼ú°¡°¡ ¸ÔÀ̸¦ ±¸ÇÏ´Â ¹æ¹ý  zabel 2004/08/20 1204 400
489   À¯¼· Ä«½´  zabel 2004/04/14 1312 400
488   Flusser [1]  intuition 2003/06/09 1457 400
  Masao Yamamoto »çÁø  zabel 2003/01/06 1678 400
486   [±â»ç]Á×±â Àü¿¡ ²À ½Î¾ßÇÒ..   2006/11/02 1366 396

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